SELECTED TEXTS

Prof. Georg Trogemann: Von poietischen Prozessen und poetischen Maschinen
Kasseler Kunstverein, 2016

Dr. Andreas Brockmann: Einführung in die Ausstellung Irrational Computing
Schering Stiftung, 2011

Prof. Anthony Moore: History-producing Machines
published in Space Inventions Exhibition Catalog Künstlerhaus Wien, 2010

ARTICLES

2018

Wie ein Ameisenhaufen oder Schwarm
Stuttgarter Zeitung, 2018

2016

Prof. Georg Trogemann: Von poietischen Prozessen und poetischen Maschinen
Kasseler Kunstverein, 2016

Régine Debatty: Order+Noise, a tug of war for motors, strings and rubber bands
Interview, We Make Money Not Arte, 2016

2015

Alessandro Ludovico: Interview on Complexity
Neural Issue 52, COMPLEXITY ISSUE(S), Autum 2015, Milan IT, 2015

Karin Nord: Poetische Maschinen
Mundus Kunstmagazin, Ausgabe, 2015

Aurelio Cianciotta: Mirage – intelligent projection apparatus
Neural Issue 50, Winter 2015, Milan IT, 2015

Ryan Jordan: DIY Electronics. Revealing the Material Systems of Computation
LMJ 25, MIT Press, Boston US, 2015

2014

Mitchell Whitelaw: Digital Mirage
POSTmatter, London UK, 2014

Nadja Sayej: An Artist Has Made A Primitive Computer Out Of Earth Crystals
The Creators Project, London UK, 2014

Olivia Solon: Computer ‘dreams’ projected with lasers
Wired UK, London UK, 2014

Filip Visnjic: Mirage – An optical projection apparatus by Ralf Baecker
Creative Applications, London UK, 2014

Ralf Baecker: Mirage
Amusement, London UK, 2014

Siofra McSherry: Obsessive Sensing
This is Tomorrow, London UK, 2014

2013

Martin Dunkelmann: Die Ästhetik des Digitalen
Videoportrait von Arte Creative, Berlin DE, 2013

Mitchell Whitelaw: Sheer Hardware
Scan | Journal of Media Arts Culture Volume 10 Number 2, Sydney AU, 2013

Pau Waelder: Interview with Ralf Baecker
VIDA Telefonica, Madrid ES, 2013

2012

Mitchell Whitelaw: Proto-Computing
the teeming void, Canberra AU, 2012

Christiane Meixner: Der Maschinist
Tagesspiegel, Berlin DE, 2012

2011

Dr. Andreas Broeckmann: Einführung in die Ausstellung Irrational Computing
Schering Stiftung, 2011

Dan Smith: Sculpture uses magnetism to redesign itself continuously
Wired UK, London UK, 2011

2010

Régine Debatty: El proceso como paradigma. The Autonomous Automat
we make money not art, London UK, 2010

2009

Alessandro Ludovico: Rechnender Raum
Centerfold in Neural Magazin – Machine Affection, Print Issue 32, 2009

2006

Alessandro Ludovico: Nowhere, rhizomatic sculpture
Neural, Milan IT, 2006

BIBLIOGRAPHY

2019

DIA–LOGOS Ramon Llull’s Method of Thought and Artistic Practice (Catalog)
The University of Minnesota Press, Minneapolis / Amador Vega, Peter Weibel, Siegfried Zielinski (eds.), 2019

2017

Machine Art in the Twentieth Century (Image / reference)
MIT Press, by Andreas Broeckmann, 2017

2016

The Thinking Machine. Ramon LLull ant the Ars Combinatoria (Catalog)
CCCB and Direcció de Comunicació de la Diputació de Barcelona, 2016

Ralf Baecker. Order + Noise (Catalog)
NOME Projects, 2016

2015

Mathematics and Art. A Cultureal History (Image / reference)
Princton University Press, by Lynn Gamwell, 2015

Experiencing the Unconventional (with Mitchell Whitelaw)
World Scientific, ed. Theresa Schubert and Andrew Adamatzky, 2015

2014

Rauchwolken und Luftschlösser. Temporäre Räume (Contribution)
Textem Verlag, Herausgegeben von Dennis Paul / Andrea Sick, 2014

2011

A Touch of Code (Contribution)
Gestalten Verlag, 2011

produced@ (Catalog) (Exhibition catalog)
Revolver Berlin, 2011

2010

Weltwissen. 300 Jahre Wissenschaften in Berlin (exhibition catalog)
Hirmer Berlin, 2010

Code und Material Exkursionen ins Undingliche (contribution)
Springer Vienna, Georg Trogemann, 2010

Space Inventions. Der künstliche Raum (Catalog) (exhibition catalog)
Schlebruegge, P. Bogner/G. Hattinger, 2010

2009

Process as Paradigm (Catalog) (exhibition catalog)
LABoral Gijon, 2009